Booker Ervin
Booker Ervin
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Booker Ervin | |
---|---|
Background information | |
Born | (1930-10-31)October 31, 1930 Denison, Texas |
Died | August 31, 1970(1970-08-31) (aged 39) New York City |
Genres | Hard bop |
Instruments | Tenor saxophone |
Associated acts | Charles Mingus |
Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970[1]) was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is best known for his association with bassist Charles Mingus.
Contents
1 Biography
2 Discography
2.1 As leader
2.2 As sideman
3 References
Biography[edit]
Ervin was born in Denison, Texas. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate.[2] After leaving school, Ervin joined the United States Air Force, stationed in Okinawa, during which time he taught himself tenor saxophone.[2] After completing his service in 1953, he studied at Berklee College of Music in Boston. Moving to Tulsa in 1954, he played with the band of Ernie Fields.[2]
After stays in Denver and Pittsburgh, Ervin moved to New York City in spring 1958, initially working a day job and playing jam sessions at night. Ervin then worked with Charles Mingus regularly from late 1958 to 1960, rejoining various outfits led by the bassist at various times up to autumn 1964, when he departed for Europe. During the mid- 1960s, Ervin led his own quartet, recording for Prestige Records with, among others, ex-Mingus associate pianist Jaki Byard, along with bassist Richard Davis and Alan Dawson on drums.
Ervin later recorded for Blue Note Records and played with pianist Randy Weston, with whom he recorded between 1963 and 1966. Weston has said: "Booker Ervin, for me, was on the same level as John Coltrane. He was a completely original saxophonist.... He was a master.... 'African Cookbook', which I composed back in the early '60s, was partly named after Booker because we (musicians) used to call him 'Book,' and we would say, 'Cook, Book.' Sometimes when he was playing we'd shout, 'Cook, Book, cook.' And the melody of 'African Cookbook' was based upon Booker Ervin's sound, a sound like the north of Africa. He would kind of take those notes and make them weave hypnotically. So, actually the African Cookbook was influenced by Booker Ervin."[3]
Between October 1964 to summer 1966 Ervin worked and lived in Europe, playing gigs in France, Spain, Italy, Germany, Norway, Sweden, Denmark and Holland. Basing himself in Barcelona, he featured regularly at the city's Jamboree Club. He recorded and broadcast while overseas, making albums with his own quartet, Dexter Gordon and Catalonian vocalist Nuria Feliu, featuring on various radio programmes and appearing at several jazz festivals, including a notorious guest slot at the 1965 Berlin Jazz Festival, during which a twenty-five-minute improvisation left the audience divided, some thinking it Ervin's answer to Coltrane and Rollins (who was also on the gig), others believing it to be a self-indulgent rant. In 1977, this performance was issued as Blues For You on the album 'Lament For Booker Ervin' (Enja Records). To this day, it continues to divide listeners.
After returning to the US in summer 1966, Ervin again led his own outfits in various jazz clubs across the country, and appeared at both the Newport Jazz Festival (1967) and the Monterey Jazz Festival (1966). In 1968, he again appeared at clubs and festivals in Scandinavia, broadcasting with the Danish Radio Big Band.
He recorded again for Prestige, but in late 1966 was signed to leading West Coast label, Pacific Jazz, for whom he taped two albums, 'Structurally Sound' and 'Booker and Brass' (1967), before switching to Blue Note, a label that like Pacific Jazz was purchased by United Artists in the late 1960s.
Ervin recorded two Blue Note albums under his own name, 'The In Between' and 'Tex Book Tenor', the latter going unissued during his lifetime, initially being released in the 1970s as part of a double album shared with recordings (on which Ervin features) made under the leadership of Horace Parlan ('Back From The Gig'). In 2005, Blue Note issued as single CD of 'Tex Book Tenor' in its limited edition Connoisseur series.
His final recorded appearance occurred in January 1969, when he guested on a further Prestige album headed by blind teenage multi-instrumentalist Eric Kloss. No further recordings beyond this point have yet come to light.
Ervin died of kidney disease in New York City in 1970, aged 39.[4]
Most biographical accounts of Ervin's death give an incorrect date. His gravestone in The National Cemetery, East Farmingdale, New York clearly shows the date as August 31, 1970.
In 2017, Ervin was the subject of a mini-biography written by English saxophonist and author Simon Spillett, released as part of an anthology package titled 'The Good Book' (Acrobat Records)
Discography[edit]
As leader[edit]
- 1960: The Book Cooks (Bethlehem)
- 1960: Cookin' (Savoy)
- 1961: That's It! (Candid)
- 1963: Exultation! (Prestige)
- 1963: Gumbo! (Prestige) with Pony Poindexter
- 1963: The Freedom Book (Prestige)
- 1964: The Song Book (Prestige)
- 1964: The Blues Book (Prestige)
- 1964: The Space Book (Prestige)
- 1965: Groovin' High (Prestige)
- 1965: The Trance (Prestige)
- 1965: Setting the Pace (Prestige) - with Dexter Gordon
- 1966: Heavy!!! (Prestige)
- 1966: Structurally Sound (Pacific Jazz)
- 1967: Booker 'n' Brass (Pacific Jazz)
- 1968: The In Between (Blue Note)
- 1968: Tex Book Tenor (Blue Note)
Back from the Gig (1964-68 [1976]) - compiling previously unreleased sessions which were later issued as Horace Parlan's Happy Frame of Mind in 1988 and Ervin's Tex Book Tenor in 2005.
As sideman[edit]
With Bill Barron
Hot Line (Savoy, 1962 [1964])
With Jaki Byard
Out Front! (Prestige, 1964)
With Teddy Charles
Jazz in the Garden at the Museum of Modern Art (Warwick, 1960)
With Ted Curson
Urge (Fontana, 1966)
With Núria Feliu
Núria Feliu with Booker Ervin (Edigsa, 1965)
With Roy Haynes
Cracklin' (New Jazz, 1963)
With Andrew Hill
Grass Roots (Blue Note, 1968)
With Eric Kloss
In the Land of the Giants (Prestige, 1969)
With Lambert, Hendricks & Bavan
Havin' a Ball at the Village Gate (RCA, 1963)
With Charles Mingus
Jazz Portraits: Mingus in Wonderland (United Artists, 1959)
Mingus Ah Um (Columbia, 1959)
Mingus Dynasty (Columbia, 1959)
Blues & Roots (Atlantic, 1959)
Mingus (Candid, 1960
Mingus at Antibes (Atlantic, 1960 [1976])
Reincarnation of a Lovebird (Candid, 1960)
Oh Yeah (Atlantic, 1961)
Tonight at Noon (Atlantic, 1957-61 [1965])
Mingus Mingus Mingus Mingus Mingus (Impulse!, 1963)
With Horace Parlan
Up & Down (Blue Note, 1961)
Happy Frame of Mind (Blue Note, 1963 [1988])
With Don Patterson
The Exciting New Organ of Don Patterson (Prestige, 1964)
Hip Cake Walk (Prestige, 1964)
Patterson's People (Prestige, 1964)
Tune Up! (Prestige, 1964 [1971])
With Sonny Stitt
Soul People (Prestige, 1965)
With Mal Waldron
The Quest (New Jazz, 1961)
With Randy Weston
Highlife (Colpix, 1963)
Randy (Bakton, 1964) - also released as African Cookbook (Atlantic) in 1972
Monterey '66 (Verve, 1966)
References[edit]
^ Booker Ervin at AllMusic
^ abc "Ervin, Booker T., Jr." Texas State Historical Association.
^ "Monterey '66", Discography, Randy Weston African Rhythms website.
^ All About Jazz - The Definitive Resource for Jazz Music Archived October 26, 2005, at the Wayback Machine
Categories:
- 1930 births
- 1970 deaths
- People from Denison, Texas
- American jazz tenor saxophonists
- American male saxophonists
- Blue Note Records artists
- Hard bop saxophonists
- Mainstream jazz saxophonists
- Post-bop saxophonists
- Savoy Records artists
- Prestige Records artists
- Transatlantic Records artists
- 20th-century American musicians
- 20th-century saxophonists
- Deaths from kidney disease
- Disease-related deaths in New York (state)
- Jazz musicians from Texas
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