Les Liaisons dangereuses (film)

Les Liaisons Dangereuses 1960
; Soundtrack album by ; Art Blakey and the Jazz Messengers with Barney Wilen; ;
Released	1960
Recorded	July 28 & 29, 1959; Nola's Penthouse Sound Studios, New York City;
Genre	Film score
Length	38:54
Label	; Fontana; 680 203 TL;
Producer	Marcel Romano
; Art Blakey and the Jazz Messengers chronology

Les liaisons dangereuses
	; French film poster;
Directed by	Roger Vadim
Written by	; Roger Vailland; Claude Brulé;
Based on	novel by Choderlos de Laclos;
Starring	; Jeanne Moreau; Gérard Philipe; Annette Vadim; Madeleine Lambert;
Music by	; Thelonious Monk; Duke Jordan;
Cinematography	Marcel Grignon
Edited by	Victoria Mercanton
Distributed by	; Ariane Distribution; Astor Films (UC/Canada)
Release date	; ; September 9, 1959 (1959-09-09); ; ; ; ; ; ; ; ; ; ; ; ; ; ; (France); 1961 (US)
Running time	105 minutes
Country	France
Language	French
Budget	US$4.3 million
Box office	4,325,341 admissions (France)

Les Liaisons dangereuses (Dangerous Liaisons) is a 1959 French-language film, loosely based on the 1782 novel by Pierre Choderlos de Laclos, though is set in present-day France.

It was directed by Roger Vadim, and stars Jeanne Moreau, Gerard Phillipe, and Annette Vadim. It was a French/Italian co-production.

Synopsis[edit]

In present-day France, Valmont and Juliette de Merteuil are a married couple who help each other have extramarital affairs.

Juliette's latest lover, Court, breaks up with her in order to be free to pursue his plan to marry the 16-year-old Cecile. Seeking revenge, Juliette encourages Valmont to seduce the virginal Cecile while she holidays at the ski resort of Megève. Cecile is in love with a student, Danceny, but he refuses to marry her until he can support her.

While on holiday, Valmont meets the beautiful and virtuous Marianne, originally from Denmark, who has a with a small child and is happily married to a young civil servant. He decides to pursue her as well, at first by befriending her and being completely honest as to what sort of person he is.

Valmont succeeds in seducing the virginal Cecile by blackmailing her. Cecile confesses the act to Juliette who encourages her to keep seeing Valmont, and Cecile does so.

Valmont then follows Marianne to Paris and succeeds in seducing her as well. Eventually Valmont genuinely falls in love with Marianne, and she prepares to leave her husband for him. Juliette becomes jealous and sends Marianne a telegram supposedly from Valmont, but with Valmont's reluctant consent, breaking it off with her and saying the seduction was all a game.

Cecile tells Juliette that she is pregnant by Valmont and asks for her help in persuading Danceny to marry her. Instead, Juliette tells Danceny that he should not marry and plans to seduce Danceny herself.

Valmont and Cecile tell Danceny about Juliette's duplicity. However, Juliette then tells him that Cecile and Valmont slept together, and Danceny strikes Valmont, accidentally killing him. While Danceny faces murder charges, Marianne oses her reason with the shock of Valmont's rejection of her and subsequent death.

Valmont has written letters to Juliette throughout the film describing both their actions. Juliette burns the letters, but catches fire herself and is disfigured for life doing so.

Cast[edit]

Gérard Philipe as Valmont

Jeanne Moreau as Juliette Valmont née de Merteuil

Jeanne Valérie as Cécile Volanges

Annette Vadim as Marianne Tourvel

Simone Renant as Madame Volanges

Jean-Louis Trintignant as Danceny

Nicolas Vogel as Court

Boris Vian as Prévan

Frédéric O'Brady

Gillian Hills

Production[edit]

Fourteen-year-old British school girl Gillian Hills was cast in a lead role,^[2] but public outcry meant this was recast, and Hills played a smaller part.^[3]

Gerard Philippe reportedly took the role in response to the critical failure of his film The Gambler.^[4]

Reactions[edit]

Vadim's film brought Moreau to an international audience, despite the film's less than stellar critical reviews. The later Jules et Jim would bring her true international stardom. Gérard Philipe died almost eight weeks after the film's release. It was the last of his films that was released before his death.^[5]

Censorship[edit]

There was concern the film would be allowed to screen in France at all. Eventually, permission was granted to show it to adults. In September 1959, the film was denied an export license because it was "unrepresentative of French film art", and thus could not be shown outside France.^[4]^[6]

Two weeks into the film's run in Paris, the film was seized as the result of civil action taken against it by the Society of Men of Letters, who said they were acting to protect the reputation of the original work. They wanted its title changed to Les Liaisons Dangereuses '60.^[7] This was done.

The movie was a massive hit at the French box office – the most successful domestic film since 1954.^[8]

Eventually, the film was allowed to be exported to Japan, Greece, and the Scandinavian countries. Then, in 1961, a full export licence was granted; US and Canadian distribution rights were bought by Astor Films for a reported record sum.^[8]

US release[edit]

New York censors only allowed the film to be shown after it had been edited to a "darkened" print of two "objectionable" nude scenes (involving Annette Vadim and Jeanne Valerie).^[9]

In February 1962, the film was pulled from a theater in Montclair, New Jersey, at the request of the police commissioner, as authorized by the Town Council. This occurred after a letter writing campaign following the film's condemnation from the pulpit of a local Roman Catholic church.^[10] The film had been running for nearly three weeks at that point. The theater continued its run beginning ten days later, the theater's management citing contractual obligations to its American distributor.^[11]

Musical score and soundtrack[edit]

The film's score was performed by Thelonious Monk, drawing on his existing compositions, as time constraints and a health crisis meant he was unable to compose new material.^[12]^[13] The original recordings by Thelonious Monk, including music not used in the film, were released for the first time in 2017 as a double album in both vinyl and CD editions.^[12]

Additional music for the extended party scene by Jack Marray (a pseudonym for Duke Jordan) was recorded by Art Blakey and the Jazz Messengers with Barney Wilen. The soundtrack, featuring only those tracks recorded by Art Blakey and The Jazz Messengers with Barney Wilen, was originally released on the French Fontana label.^[14]^[15]

Reception[edit]

Professional ratings
Review scores
Source	Rating
Allmusic	^[16]

Scott Yanow of Allmusic states of the Blakey album that "In general, the music manages to stand on its own with the ensemble getting to stretch out a bit on the rare material".^[16]

Track listing[edit]

All compositions by Duke Jordan

"No Problem (1st Version)" – 7:23

"No Hay Problema" – 4:35

"Prelude In Blue (À "L' Esquinade")" – 6:59

"Valmontana (1st Version)"- 4:46

"Miguel's Party" – 4:23

"Prelude In Blue (Chez Miguel)" – 5:54

"No Problem (2nd Version)" – 6:00

"Weehawken Mad Pad" – 1:50

"Valmontana (2nd Version)" – 4:33

"No Hay Problema (2nd Version)" – 3:53 Bonus track on CD reissue

Most tracks on Duke Jordan's record with the same title in 1962 have the same melodies, but with different track titles. "Prelude In Blue" with "Weehawken Mad Pad" was retitled "The Feeling of Love"; "Valmontana" was changed to "Jazz Vendor"; and "Miguel's Party" to "Subway Inn". The title "No Problem" was left intact.

Musicians[edit]

Art Blakey – drums

Lee Morgan – cornet (tracks 1 & 4-9)

Barney Wilen – tenor saxophone, soprano saxophone (tracks 1 & 3-9)

Duke Jordan (track 3), Bobby Timmons (tracks 1, 2 & 4-10) – piano

Jymie Merritt – bass

Tommy Lopez, Willie Rodriguez – congas (tracks 2-10)

Johnny Rodriguez – bongos (tracks 2-10)

References[edit]

^ Box office information for Roger Vadim films at Box Office Story

^ "German Reds Defy 'Bayonets'" by Joseph B. Fleming. The Washington Post and Times Herald 22 Dec 1958: A5.

^ "Brando's errors will help Wayne". The Australian Women's Weekly. National Library of Australia. 22 July 1959. p. 68. Retrieved 3 January 2015..mw-parser-output cite.citationfont-style:inherit.mw-parser-output .citation qquotes:"""""""'""'".mw-parser-output .citation .cs1-lock-free abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-subscription abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center.mw-parser-output code.cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-formatfont-size:95%.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em

^ ^a^b "GALLIC CENSORS POUNCE; MLLE. 'B. B.' SUBSIDES" by CYNTHIA GRENIER, PARIS. New York Times 11 Oct 1959: X9.

^ "Box Office Success of Gerard Philippe films". Box Office Story.

^ "Daring French Film Banned for Export" The Washington Post, Times Herald 10 Sep 1959: B5.

^ "FRENCH FILM SEIZED: But Paris Literary Society Then Allows It to Run Special to The New York Times." New York Times 18 Sep 1959: 25.

^ ^a^b "FRANCE WILL LIFT FILM'S EXPORT BAN: Controversial 'Les Liaisons Dangereuses' Due in Fall" by EUGENE ARCHER. New York Times 2 Aug 1961: 19.

^ "STATE CENSORS LET FRENCH FILM OPEN" New York Times 19 Dec 1961: 39.

^ New York Times February 17, 1962 [1] accessed July 15, 2013

^ New York Times February 27, 1962 accessed July 15, 2013

^ ^a^b Schonefeld, Zach (May 18, 2017). "A Long Lost Thelonious Monk Album is Finally Released Nearly 60 Years Later". Newsweek. Retrieved June 15, 2017.

^ Chinen, Nate (March 21, 2017). "A New Thelonious Monk Album Emerges From the Soundtrack to a Classic French Film". Retrieved June 15, 2017.

^ Art Blakey discography accessed July 21, 2013

^ Art Blakey chronology accessed July 214, 2013

^ ^a^b Yanow, S. Allmusic Review, accessed June 21, 2013

External links[edit]

Les liaisons dangereuses on IMDb

Les liaisons dangereuses at AllMovie

[1] Box office information for Roger Vadim films at Box Office Story

[2] "German Reds Defy 'Bayonets'" by Joseph B. Fleming. The Washington Post and Times Herald 22 Dec 1958: A5.

[3] "Brando's errors will help Wayne". The Australian Women's Weekly. National Library of Australia. 22 July 1959. p. 68. Retrieved 3 January 2015..mw-parser-output cite.citationfont-style:inherit.mw-parser-output .citation qquotes:"""""""'""'".mw-parser-output .citation .cs1-lock-free abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-subscription abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center.mw-parser-output code.cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-formatfont-size:95%.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em

[new-4] "GALLIC CENSORS POUNCE; MLLE. 'B. B.' SUBSIDES" by CYNTHIA GRENIER, PARIS. New York Times 11 Oct 1959: X9.

[box-5] "Box Office Success of Gerard Philippe films". Box Office Story.

[6] "Daring French Film Banned for Export" The Washington Post, Times Herald 10 Sep 1959: B5.

[7] "FRENCH FILM SEIZED: But Paris Literary Society Then Allows It to Run Special to The New York Times." New York Times 18 Sep 1959: 25.

[times-8] "FRANCE WILL LIFT FILM'S EXPORT BAN: Controversial 'Les Liaisons Dangereuses' Due in Fall" by EUGENE ARCHER. New York Times 2 Aug 1961: 19.

[9] "STATE CENSORS LET FRENCH FILM OPEN" New York Times 19 Dec 1961: 39.

[10] New York Times February 17, 1962 [1] accessed July 15, 2013

[11] New York Times February 27, 1962 accessed July 15, 2013

[Schonefeld-12] Schonefeld, Zach (May 18, 2017). "A Long Lost Thelonious Monk Album is Finally Released Nearly 60 Years Later". Newsweek. Retrieved June 15, 2017.

[13] Chinen, Nate (March 21, 2017). "A New Thelonious Monk Album Emerges From the Soundtrack to a Classic French Film". Retrieved June 15, 2017.

[14] Art Blakey discography accessed July 21, 2013

[15] Art Blakey chronology accessed July 214, 2013

[Allmusic-16] Yanow, S. Allmusic Review, accessed June 21, 2013

v t e The Jazz Messengers
_Dale_Barlow _Mickey_Bass _Terence_Blanchard _Joanne_Brackeen _Cameron_Brown _Donald_Brown _Bobby_Broom _Donald_Byrd _George_Cables _Buck_Clarke _Chick_Corea _Steve_Davis _Spanky_DeBrest _Sam_Dockery _Kenny_Dorham _Essiet_Essiet _Robin_Eubanks _Charles_Fambrough _Curtis_Fuller _Carlos_Garnett _John_Gilmore _Benny_Golson _Benny_Green _Johnny_Griffin _Bill_Hardman _Donald_Harrison _Philip_Harper _John_Hicks _Freddie_Hubbard _Dennis_Irwin _Javon_Jackson _Carter_Jefferson _Geoffrey_Keezer _Frank_Lacy _Brian_Lynch _Branford_Marsalis _Wynton_Marsalis _Jackie_McLean _Jymie_Merritt _Mulgrew_Miller _Hank_Mobley _Lee_Morgan _Billy_Pierce _Lonnie_Plaxico _Valery_Ponomarev _Wallace_Roney _Gregory_Charles_Royal _David_Schnitter _Woody_Shaw _Clarence_Seay _Wayne_Shorter _Horace_Silver _Victor_Sproles _Bobby_Timmons _Jean_Toussaint _McCoy_Tyner _Cedar_Walton _Peter_Washington _Doug_Watkins _Bobby_Watson _James_Williams _Reggie_Workman"> Art Blakey Dale Barlow Mickey Bass Terence Blanchard Joanne Brackeen Cameron Brown Donald Brown Bobby Broom Donald Byrd George Cables Buck Clarke Chick Corea Steve Davis Spanky DeBrest Sam Dockery Kenny Dorham Essiet Essiet Robin Eubanks Charles Fambrough Curtis Fuller Carlos Garnett John Gilmore Benny Golson Benny Green Johnny Griffin Bill Hardman Donald Harrison Philip Harper John Hicks Freddie Hubbard Dennis Irwin Javon Jackson Carter Jefferson Geoffrey Keezer Frank Lacy Brian Lynch Branford Marsalis Wynton Marsalis Jackie McLean Jymie Merritt Mulgrew Miller Hank Mobley Lee Morgan Billy Pierce Lonnie Plaxico Valery Ponomarev Wallace Roney Gregory Charles Royal David Schnitter Woody Shaw Clarence Seay Wayne Shorter Horace Silver Victor Sproles Bobby Timmons Jean Toussaint McCoy Tyner Cedar Walton Peter Washington Doug Watkins Bobby Watson James Williams Reggie Workman
Studio albums	The Jazz Messengers (1956) Hard Bop (1957) Ritual (1957) Tough! (1966) Selections from Lerner and Loewe's... (1957) A Night in Tunisia (1957) Cu-Bop (1957) Hard Drive (1957) Art Blakey's Jazz Messengers with Thelonious Monk (1958) Art Blakey and the Jazz Messengers (1958) The Big Beat (1960) A Night in Tunisia (1960) A Jazz Hour with Art Blakey's Jazz Messengers: Blues March (1961) Impulse!!!!! Art Blakey!!!!! Jazz Messengers!!!!! (1961) Mosaic (1961) The Freedom Rider (1962) Buhaina's Delight (1963) Caravan (1963) Free for All (1964) Kyoto (1964) Golden Boy (1964) Indestructible (1965) 'S Make It (1965) Soul Finger (1965) Like Someone in Love (1966) The Witch Doctor (1967) Roots & Herbs (1970) Child's Dance (1972) Buhaina (1973) Anthenagin (1973) In Walked Sonny (1975) Backgammon (1976) Gypsy Folk Tales (1977) In My Prime Vol. 1 (1978) In My Prime Vol. 2 (1978) Reflections in Blue (1979) Night in Tunisia: Digital Recording (1979) Album of the Year (1981) Oh-By the Way (1984) Blue Night (1985) Feeling Good (1986) Not Yet (1988) I Get a Kick Out of Bu (1988) Chippin' In (1990) One for All (1990)
Live albums	At the Cafe Bohemia, Vol. 1 (1955) At the Cafe Bohemia, Vol. 2 (1955) A Midnight Session with the Jazz Messengers (1957) 1958 – Paris Olympia (1959) At the Jazz Corner of the World, Vols. 1 & 2 (1959) Art Blakey et les Jazz Messengers au Théâtre des Champs-Élysées (1960) Paris Jam Session (1960) Meet You at the Jazz Corner of the World, Vols. 1 and 2 (1960) Three Blind Mice (1962) Ugetsu (1963) Buttercorn Lady (1966) Jazz Messengers '70 (1970) In This Korner (1978) Live at Montreux and Northsea (1980) One by One (1981) Art Blakey in Sweden (1981) Straight Ahead (1981) Keystone 3 (1982) Live at Kimball's (1985) The Art of Jazz: Live in Leverkusen (1989)
Compilation albums	Horace Silver and the Jazz Messengers (1955) The Cool Voice of Rita Reys (1956) Drum Suite (1957) Pisces (1979) Africaine (1981) Originally (1982)
Soundtrack albums	Des Femmes Disparaissent (1959) Les liaisons dangereuses 1960 (1960)
Art Blakey solo albums	Blakey (1954) A Night at Birdland Vol. 1, Vol. 2 & Vol. 3 (1954) Orgy in Rhythm (1957) Art Blakey Big Band (1957) Holiday for Skins (1958) Drums Around the Corner (1959) The African Beat (1962) A Jazz Message (1963) Hold On, I'm Coming (1966) Killer Joe (1981) Bluesiana Triangle (1990)
Related	Discography

v t e Duke Jordan
Years given are for the recording(s), not first release.
Albums as leader or co-leader	Duke Jordan Trio and Quintet (1955) Flight to Jordan (1960) Brooklyn Brothers (with Cecil Payne, 1973) Flight to Denmark (1973) Two Loves (1973) Duke's Delight (1975) Lover Man (1975) Misty Thursday (1975) Truth (1975) Flight to Japan (1976) Live in Japan (1976) Duke's Artistry (1978) The Great Session (1978) Tivoli One (1978) Tivoli Two (1978) Wait and See (1978) Change a Pace (1979) Midnight Moonlight (1979) Thinking of You (1979) Art Pepper with Duke Jordan in Copenhagen 1981 (1981) As Time Goes By (1985) Time on My Hands (1985)
With others	All Star Sessions (Gene Ammons, 1950) The Happy Blues (Gene Ammons, 1956) No Problem (Chet Baker, 1979) Les Liaisons dangereuses (Art Blakey and The Jazz Messengers, 1959) True Blue (Tina Brooks, 1960) Swingin' (Kenny Burrell, 1956) Blue Lights (Kenny Burrell, 1958) The Inimitable Teddy Edwards (1976) Art Farmer Quintet featuring Gigi Gryce (1955) The Complete Roost Recordings (Stan Getz, 1952) Stan Getz Plays (1952) Doin' the Gigi (Gigi Gryce, 1957) The Return of Howard McGhee (1955) Beautiful! (Charles McPherson, 1965) Complete Charlie Parker on Dial/Charlie Parker on Dial (1947) Patterns of Jazz (Cecil Payne, 1956) Bird Gets the Worm (Cecil Payne, 1976) Oscar Pettiford (1954) Introducing Doug Raney (1977) Comin' On! (Dizzy Reece, 1960) Here Comes Louis Smith (1958) Stitt's Bits (Sonny Stitt, 1950) Sonny Stitt & the Top Brass (1962) The Champ (Sonny Stitt, 1973) Julius Watkins Sextet (1955)

v t e Lee Morgan
Year(s) indicated are for the recording(s), not first release.
As leader or co-leader	Lee Morgan Indeed! (1956) Introducing Lee Morgan (1956) Lee Morgan Sextet (1956) Dizzy Atmosphere (1957) Lee Morgan Vol. 3 (1957) City Lights (1957) The Cooker (1957) Candy (1957-58) Peckin' Time (1958) Here's Lee Morgan (1960) Lee-Way (1960) Expoobident (1960) The Young Lions (1960) Take Twelve (1962) The Sidewinder (1963) Search for the New Land (1964) Tom Cat (1964) Cornbread (1965) Infinity (1965) The Gigolo (1965) The Night of the Cookers (with Freddie Hubbard, 1965) The Rumproller (1965) Delightfulee (1966) Charisma (1966) The Rajah (1966) Standards (1967) Sonic Boom (1967) The Procrastinator (1967–69) The Sixth Sense (1967) Taru (1968) Caramba! (1968) Live at the Lighthouse (1970) The Last Session (1971)
With Art Blakey & The Jazz Messengers	Theory of Art (aka, A Night in Tunisia, 1957) Drums Around the Corner (1958–59) Moanin' (1958) 1958 – Paris Olympia (1958) Des Femmes Disparaissent (1958) Les Liaisons dangereuses (1958) Africaine (1959) At the Jazz Corner of the World (1959) Paris Jam Session (1959) The Big Beat (1960) A Night in Tunisia (1960) Like Someone in Love (1960) Meet You at the Jazz Corner of the World (1960) Art Blakey!!!!! Jazz Messengers!!!!! (1961) The Freedom Rider (1961) Roots & Herbs (1961) The Witch Doctor (1961) Pisces (1961–64) Indestructible (1964) Golden Boy (1964) 'S Make It (1964) Soul Finger (1965) Hold On, I'm Coming (1965)
With Hank Mobley	Hank Mobley Sextet (1956) Jazz Message No. 2 (1956) No Room for Squares (1963) Dippin' (1965) A Caddy for Daddy (1965) A Slice of the Top (1966) Straight No Filter (1966) Third Season (1967)
With others	Minor Move (Tina Brooks, 1958) Blue Train (John Coltrane, 1957) Intensity (Charles Earland, 1972) Charles III (Charles Earland, 1972) Brass Shout (Art Farmer, 1959) Sliding Easy (Curtis Fuller, 1959) The Curtis Fuller Jazztet (1959) Images of Curtis Fuller (1960) Dizzy in Greece (Dizzy Gillespie, 1957) Birks' Works (Dizzy Gillespie, 1957) Dizzy Gillespie at Newport (Dizzy Gillespie, 1957) Benny Golson and the Philadelphians (Benny Golson, 1958) A Blowin' Session (Johnny Griffin, 1957) Mode for Joe (Joe Henderson, 1966) Last Chorus (Ernie Henry, 1957) Grass Roots (Andrew Hill, 1968) Lift Every Voice (Andrew Hill, 1969) Flute In (Bobbi Humphrey, 1971) The Prime Element (Elvin Jones, 1969) Drums Around the World (Philly Joe Jones, 1959) The Great Wide World of Quincy Jones (1959) Cliff Jordan (Clifford Jordan, 1957) Kelly Great (Wynton Kelly, 1959) Greasy Kid Stuff! (Harold Mabern, 1970) Jacknife (Jackie McLean, 1965) Consequence (Jackie McLean, 1965) Evolution (Grachan Moncur, 1963) Introducing Wayne Shorter (1959) Night Dreamer (Wayne Shorter, 1964) House Party (Jimmy Smith, 1957–58) The Sermon! (Jimmy Smith, 1957–58) Mr. Natural (Stanley Turrentine, 1964) Tender Moments (McCoy Tyner, 1967) Easterly Winds (Jack Wilson, 1967) Mother Ship (Larry Young, 1969) Love Bug (Reuben Wilson, 1969)
Discography

v t e Bobby Timmons
Years given are for the recording(s), not first release.
As leader or co-leader	Jenkins, Jordan and Timmons (and John Jenkins, Clifford Jordan, 1957) This Here Is Bobby Timmons (1960) Soul Time (1960) Easy Does It (1961) In Person (1961) Sweet and Soulful Sounds (1962) Born to Be Blue! (1963) Chun-King (1964) From the Bottom (1964) Holiday Soul (1964) Little Barefoot Soul (1964) Workin' Out! (1964) Chicken & Dumplin's (1965) Soul Food (1966) The Soul Man! (1966) Got to Get It! (1967) Do You Know the Way? (1968)
With Art Blakey and The Jazz Messengers	1958 – Paris Olympia (1958) Des Femmes Disparaissent (1958) Drums Around the Corner (1958) Moanin' (1958) At the Jazz Corner of the World (1959) Les Liaisons dangereuses (1959) A Night in Tunisia (1960) Meet You at the Jazz Corner of the World (1960) Art Blakey!!!!! Jazz Messengers!!!!! (1961) Pisces (1961) Roots & Herbs (1961) The Freedom Rider (1961) The Witch Doctor (1961)
With others	10 to 4 at the 5 Spot (Pepper Adams, 1958) The Cannonball Adderley Quintet in San Francisco (1959) Them Dirty Blues (Cannonball Adderley, 1960) Work Song (Nat Adderley, 1960) Chet Baker & Crew (1956) Chet Baker Big Band (1956) Blue Lights (Kenny Burrell, 1958) On View at the Five Spot Cafe (Kenny Burrell, 1959) More Party Time (Arnett Cobb, 1960) Movin' Right Along (Arnett Cobb, 1960) 'Round About Midnight at the Cafe Bohemia (Kenny Dorham, 1956) Matador (Kenny Dorham, 1962) Brass Shout (Art Farmer, 1959) The Opener (Curtis Fuller, 1957) Benny Golson and the Philadelphians (1958) The Big Soul-Band (Johnny Griffin, 1960) The Soul Society (Sam Jones, 1960) Nice and Easy (Johnny Lytle, 1962) Hank (Hank Mobley, 1957) The Cooker (Lee Morgan, 1957) Lee-Way (Lee Morgan, 1960) Comin' On! (Dizzy Reece, 1960) Personal Appearance (Sonny Stitt, 1957) The Young Lions (1960)

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